The performance of Yann Marussich does not have specific duration. The spectator becomes active as soon as he enters the space, whatever he does. However being active does not mean interacting. The spectator is not gaining any role except the responsibility of his  own person, opinion, acts, and even of his own passivity. The audience posseses total freedom. There are no indications to follow at all. There is no censorship. There are only possibilities.

The performance is in the line of « Bleu provisoire » (2001) and « Autoportrait dans une fourmilière » (2003). However this time around, the possibility of intervention of the audience is taken into account. Still based on immobility as a way of expression, Yann Marussich explores the limits of what can be given to see.

Conception et interprétation Yann Marussich

Sound : Yann Gioria

Decor / Décor construction :  CédricBach and Martin Rautenstrauch /Grand Garage du Nord

Pictures : Isabelle Meister

Productions and administration : Perceuse Productions

Special thanks to Daniel Demont

With the support of : Pro-Helvetia, Fondation Suisse pour la Culture, du département culturel de la Ville de Genève et du D.I.P.

Coproduction : Théâtre de l’Arsenic, Théâtre de l’Usine.